Sunnylands, a stunning 200 acre estate containing a 25,000 sq ft mid century house, three guest cottages, a private 9-hole golf course and 13 man-made lakes was the winter retreat of the late ambassadors and all-round power couple, Walter and Leonore Annenberg.
The pair frequently hosted famous entertainers, political leaders and basically anyone rich and/or influential at the sprawling estate (often referred to as “Camp David of the West”) from when it was completed in 1966 all the way through to 2009 when ownership passed onto The Annenberg Foundation Trust upon Leonore Annenberg’s death.
The estate, which was almost completely hidden from public view by a pink-brick wall and a thick belt of eucalyptus, olive and tamarisk trees, was open to the public for tours during our stay in Palm Springs. Our tour began at the 15,000-square-foot visitors’ centre, designed by Frederick Fisher and Partners of Los Angeles in a compatible neo-modernist style and situated on 15 acres of desert gardens adjacent to the estate, from which we were transported to the main house by golf buggy.
The 1966 main house, with its distinctive pink Mayan roof, was designed by mid century architect A. Quincy Jones in his signature style, namely spacious, open rooms on a single floor with vast stretches of glass walls offering views of the pool, the golf course and the purple San Jacinto Mountains.
The main, almost temple-like entrance opened into a vast atrium and living room featuring a bronze Eve by Rodin at its centre. Eve was accompanied by a similarly significant art collection on the walls acquired by the couple, with about 50 works by Picasso, Van Gogh, Andrew Wyeth, and Monet (though most of these paintings were donated to the Metropolitan Museum of Art following Walter Annenberg’s death in 2002; the ones still up on the walls were high-tech facsimiles in perfect replicas of the original gilt frames). The rest of the house seemed to branch off the central atrium, with an almost overwhelming run of interconnected rooms that flowed on from one another.
The interiors and virtually every piece of furniture were designed by William Haines and Ted Graber, known for decorating the Reagan White House. The “Hollywood Regency” style was quite unlike anything I’ve seen paired with mid century architecture before: it was maximalist in a really chintzy sort of way featuring things like cream-linen sofas embroidered with pale-blue floral motifs; lacquered coffee tables, rare Chinese objects encased under glass tops, an entire wall display of Steuben glass, a sunshine yellow master bedroom, Meissen porcelain, Regency gilded silver and Ming vases. I can’t say that it was all to my taste but I couldn’t help but admire its sheer opulence.
While the interior decor and furnishings were a bit of an acquired taste, the views out onto the grounds from the terrace (where photography was finally permitted) were undeniably spectacular.
Photographs of main house interiors courtesy of a Google image search – photography was not permitted inside the main house during the tour.
Aside from nosing around desert modernist houses, we also tried to fit in seeing everything else that Palm Springs had to offer from a mid century/sightseeing perspective (which, as it happens, was quite a lot).
Palm Springs City Hall (1952-1957)
Palm Springs City Hall was a classic Albert Frey mid century design built between 1952 and 1957. Frey incorporated a distinctive portico overhang at the main entrance with a circular cut out (framing three tall palm trees which shoot up out of it) and used aluminium piping cut at right angles to create brise soleil, shielding the front of building from the intense morning and early afternoon sun. The facade and most of building reportedly looks much the same today as it did when it was completed in 1957. The interiors were comparatively dreary.
Sunnylands Estate (1966)
The mid century Sunnylands estate was developed in the early 1960s and was home to influential couple Walter and Leonore Annenberg. Located at Frank Sinatra and Bob Hope Drives, the property has been the vacation site of numerous celebrities and public officials including several US presidents. While the exterior and gardens were indisputably stunning, the interiors were an interesting, debatably attractive blend of mid century modern and premium American chintz. A separate blog entry dedicated to the estate will follow.
Palm Springs Aerial Tramway (1949-1963)
Probably Palm Springs’ most popular tourist attraction, this gondola ride treated us to a double-digit temperature drop, snow-covered mountains, some interesting mid-century architecture (the rotating cars and the angular stations at both ends were constructed between 1949 and 1963 and designed by renowned mid century architects Albert Frey and E. Stewart Williams) and a view of the entirety of the Coachella Valley when we reached the top.
Bank of America (1959)
Located at the south end of Palm Canyon Drive, the Palm Springs branch of Bank of America was designed by Victor Gruen Associates and built in 1959. The architects were reportedly inspired by the shape of le Corbusier’s chapel in Ronchamp but seemingly decided to take the building in a more bold direction with the rounded edges and primary colour palette. I thought it looked like something out of The Flinstones i.e. just on the wrong side of cartoonish.
Tramway Gas Station (1963-1965)
Designed by Albert Frey and Robson C Chambers and built in 1963-65, this former gas station with its distinctive cantilevered wedge-shaped metal canopy was converted into the Palm Springs visitors centre in the 2000s after a long period of disrepair and a unsuccessful stint as an art and sculpture gallery. It is referred to as the Tramway Gas Station due to its location at foot of Tramway Road, the long road leading to the entrance for the Palm Springs aerial tramway.
Saint Theresa Elementary Church (1969)
St. Theresa elementary church was designed in 1969 by William Cody, one of the forerunners of modernist architecture in Palm Springs. The church featured a vast concrete wall, which curved upward like an inverted arch, surrounding the church and blocking wind, street noise and quite a lot of light – the church was cool and dark inside. This was reportedly international so that worshippers could forget the outside world and focus on the spiritual character.
Shell Gas Station (1964)
Until recently a Shell Gas Station, this structure was designed by architect William F. Cody in 1964. This is the last of five architect-designed mid century gas stations in Palm Springs that still operates as a gas station.
Ace Hotel (1965/2009)
Opened in 2009 on the site of a converted Howard Johnson motel built in 1965, the Ace Hotel had a slightly irritating modernist meets Americana ironic/hipsterish vibe. Everything seemed to have been designed for the explicit purpose of looking good on Instagram. The hotel was broken down into different buildings (that made up the original motel), most of them facing a central pool, the location for pool parties and DJ sets frequented by Coachella festival-going types.
The Shops at Thirteen Forty Five (1955)
A collective of 14 rather expensive shops selling clothes and mid-century homewares in a very photogenic 1955 E. Stewart Williams-designed building with a pink facade in Uptown Palm Springs. It was recommended by Gwyneth Paltrow’s Goop site (“We would trek from LA to Palm Springs for a visit to The Shops at Thirteen Forty Five alone!”) which gives a good idea of the kind of place it was.
Antique shopping at South Palm Canyon Drive
I found most of the shopping in Palm Canyon Drive, the main shopping street in Palm Springs, to be expensive and a bit pretentious (in the same vein as The Shops at Thirteen Forty Five – see above) so I was pleased to discover this cluster of antique, vintage, art, and thrift stores set along East Sunny Dunes Road and Industrial Place. My favourite stores were Sunny Dunes Antique Mall and the Antique Galleries of Palm Springs, both warehouse-like spaces containing labyrinthine mazes of rooms filled with vintage tat to buy. Prices weren’t exactly flea market level but were reasonable/affordable enough (the average price for a single item was about $25).
We saw a wealth of amazing mid century modern houses during our stay in Palm Springs – every other street seemed to be lined with sleek, modern, typically one-storey homes in the desert modernist style.
Characterised by a low-rise profile, an abundance of glazing, clean lines, streamlined floorplans, sliding glass doors and decorative screening walls (or “brise soleil”) connecting indoor and outdoor spaces and the use of natural and manufactured resources, the desert modernist aesthetic was dictated by the realities of desert living and the intense climate.
A key player in the desert modernism movement was George and Robert Alexander’s building company, which was responsible for building more than 2,000 homes in Palm Springs throughout the 50s and early 60s. The Alexander building company worked with a range of architects including Donald Wexler, William Krisel and Dan Palmer to build modern-style tract homes that were affordable and could be produced efficiently – one of the tricks that they used was to build whole neighbourhoods of homes with near-identical floor plans but then switching up the houses’ rooflines and front finishes and flipping and/or rotating the houses on their respective lots to make neighbourhoods look like a collection of custom built homes.
Racquet Club Road Estates
The house that we stayed in (an Airbnb find) was a nice example of a sympathetically restored 1959 Alexander-built home in the Racquet Club Estates Road neighbourhood.
The single-storey house was around 115 sq m in size and contained an internal courtyard walled by brise soleil past the front gate, an open-plan kitchen and living area opening onto the pool and garden, three bedrooms and two bathrooms (with one of these bedrooms and bathrooms also opening out directly into the garden).
Designed as a weekend/vacation getaway (single pane glass, no insulation), the house was relatively modest in size but the open floor plan, lofty wood beam ceilings, interaction between indoor and outdoor spaces and ratio of house size to lot size made the house feel quite spacious.
The decor was a slightly utilitarian take on mid century modern with white walls, polished concrete floors and a number of understated design classic pieces of furniture. Slightly dodgy early 00s kitchen and bathrooms aside, I loved the house and was sorry when the time came for us to leave.
I’m not certain of the value of the property but if I were to take a guess based on the other houses we saw (and how much we were told they were worth), I would guess that this house was worth between $700-800k.
In order to have a nose around some other mid century modern houses, we joined an excellent interiors-focussed tour. The first of the houses that we were shown around was another Alexander-built home designed by Donald Wrexler in the mid 1960s and located in the Green Fairways development on the east side of town.
At 165 sq metres, this house was larger and a bit flashier architecturally than the one we were staying in. Its facade was visually striking: wider at the base, sloping up to the roofline and featuring a lot of Hawaiian/tiki-inspired desert rock stonework, mimicking the mountain range backdrop behind the house.
The house was divided down its centre into a “public wing” containing a sunken living room and kitchen and “private wing” containing the bedrooms and bathrooms. The two wings were separated by a glass corridor which also served as an entrance hall and opened to the rear onto the garden with views of the golf course and very large swimming pool.
Renovated between 2008-2012, the owners had decorated in a style referred to by our guide as “martini modernism”, which I interpreted to mean a slightly more “bling” take on mid century modern (heavily polished bright white floors, colourful furniture and shiny countertops).
One thing that we noticed on this tour was the slightly exhibitionist tendency for the walk-in showers in these houses to have a completely transparent glass wall (sometimes that actually opened as a door) to the garden or an internal courtyard.
I think I recall that the house was valued at around $850k.
For more photos of this house (taken when the house was for sale), please see here.
The second house on the interiors-focussed tour was a newer house in built in 2009 but based on a 1957 Bill Krisel design, which the house builders licensed in 2006. This house was located in the Twin Palms neighbourhood which got its name from the two palm trees that the developers planted in each lot.
Noticeably more spacious and “chunkier” in build than either of the two preceding houses (modern standards required the builders to incorporate an additional layer of insulation into the walls and ceilings), the house did still bear all of the hallmarks of classic desert modernism.
The living space was spread out over a very large open-plan living area which faced out onto the pool and garden (which also contained an entirely separate guest house/pool house/granny annex) and private living spaces consisting of three bedrooms and two bathrooms (of which the ensuite featured the obligatory glass-walled shower facing out into the garden).
The decor was a rather glamorous/old Hollywood spin on mid century modernism, kind of what I imagine Joan Crawford might have lived in near the end of her life in the 60s.
The house was valued at around $1-1.2million.
The third and final home we were shown around on the interiors-focussed tour was in the Desert Star complex.
Situated in the south end of town amid other hotel and motel complexes, the Desert Star complex was built in 1954 by Howard Lapham as an extended stay motel consisting of seven units surrounding a shared pool. The building is now a Class One site with a protected exterior (though the extent to which the architecture in Palm Springs is not protected by this Class/grading system shocked me), featuring a “colliding” roofline (note how the two roof panels do not meet at the apex in the photo below), which was built at a height which would make it look like the mountains behind were resting on the roof of building.
The property that formed part of the tour was the largest unit in the complex, the site of the original motel entrance. This property, like the others, had an open plan kitchen and living area which opened onto the communal yard and pool but the owners of this house had also opened up the back wall (along which the bedrooms and bathrooms ran along) so that these rooms would also have access to outdoor space (on this side, a private patio).
We were also shown one of the studio units, which I remember almost booking as a cheaper alternative to the house in the Racquet Club Road Estates that we ended up staying in. I understand that one of these units is currently for sale.
Elvis Honeymoon Hideaway
Situated in the very glamorous Vistas Las Palmas neighbourhood, home to Hollywood stars past and present (Leonardo DiCaprio has a house around the corner which he uses once a year for the Coachella festival), this house was hailed by Look magazine as the “House of Tomorrow” when it was designed by William Krisel for Robert Alexander (of the Alexander building company) and his wife in 1962.
The Alexanders lived in the house until their tragic death in a plane crash in 1965 and Elvis briefly leased the house in 1966 and lived there with his wife, Priscilla after their wedding in 1967, carrying her over the threshold and up the rather gaudy staircase. In 1987, the house came into the possession of the current owner, Leonard Lewis, who furnished the house with Elvis memorabilia and opened the house to public tours (one of which we attended) and Elvis-themed events.
The dominating feature of this house from street was the multi-angled glass window floating beneath a bat-winged roofline. Spanning three floors and 465 square metres, the interior was divided into four large circles that gave way to unusually proportioned spaces including a circular living room with a circular hearth and an octagonal-shaped bedroom featuring the aforementioned multi-angled window.
I can’t say that I liked this house much though this may have had more to do with the way in which it had been decorated (as a kitschy shrine to Elvis) and its state of slight disrepair than the design itself. We were, however, lucky to attend the Elvis-themed tour given that the house is currently on the market for an asking price of $2.7million having been reduced from the original more ambitious asking price of $9.5million three years ago.
Other houses that we passed but didn’t go into included the Kaufman House designed by Richard Neutra in 1946 (recently listed for sale for $15million and the backdrop of that famous photo of those 1960s socialites sitting in front of a pool hanging in the house that we stayed in) and the neat Indian Canyons neighbourhood.
Having dreamed about visiting Palm Springs since I started this blog over five years ago, I finally made the (modernist) pilgrimage over there at the end of November.
It was exactly as I’d pictured it: a beautiful enclave of mid century modern style and architecture set against a stunning desert backdrop of palm trees and rocky mountains where 40,000 out of the 48,000 homes have a swimming pool, sprinklers constantly mist perfectly manicured green lawns and even the local banks and petrol stations were designed by major mid century architects and look like something out of a David Hockney painting.
Despite the fact that Palm Springs has a reputation for being a laid back, leisurely sort of place, it’s fair to say that I didn’t really relax the entire time we were there, choosing instead to run about, feverishly taking pictures of everything in sight. Blog entries on the houses, public buildings, hotels, shops and the legendary Sunnylands estate featuring a selection of the resulting photos will follow in the coming weeks.