Judy’s vintage furniture fair

This event pops up semi-regularly in slightly shabby town halls across London. Sometimes billed as a flea market and at other times a vintage furniture fair, the reasonable but not dirt cheap prices and greater emphasis on actual furniture over random pieces of toot (though there is a lot of this as well) means that vintage furniture fair is a more accurate description of this event.

The various traders specialise in pieces from the 1950s-1970s, offering up a decent number of coffee tables, occasional furniture, lamps and sideboards from the period. There is a slight overabundance of stuff in that orangey-red teak colour that’s a little too kitschy for my liking but there are plenty of other things I’ve seen at these events that would work in a contemporary interior. I’ve only bought small bits of toot (albeit nice bits of toot) from Judy’s to date but I hold out hope that I’m going to find (and manage to get home) an incredible vintage piece of furniture at a bargain price at some point.

Some haggling is tolerated but I suspect this is because the vendors have marked up the prices in advance to account for this. I would recommend arriving for the 10am start time, doing a quick circuit of the shabby town hall (including the stage) and then placing a deposit on any items that catch your eye, especially if it’s furniture. Most of the decent stuff has been bought or reserved by about 10.30am, if not earlier.

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Purchases to date:

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  1. Danish bear (or is a rat?) wooden bottle opener (£7)
  2. Wooden Dala horse (£10)
  3. Homepride Fred (functionless but pleasing) (£10)
  4. 1950s wooden magazine rack (£30)
  5. 1960s mirror (£30)
  6. Danish wooden bull (£12)

Parkleys, Ham

Parkleys, Ham, Richmond-upon-Thames
Grade II listed Span development
Architect: Eric Lyons
Year built: 1954-1955

If Ham wasn’t so ridiculously inaccessible, I would seriously consider trading in my current place for a flat on this estate.

Built in the mid-1950s and Grade-listed in 1998, the Parkleys estate consists of around ten flat-roofed blocks in either a three-storey H-plan configuration with a central entrance stairwell or a two-storey terraced configuration, enclosing shared courtyards. The flats have large timber windows which span the length of the flats continuously (and which mercifully cannot be ripped out and replaced with uPVC due to the Grade listing) and distinctive concrete tile-hanging. The estate is lushly planted with retro-looking foliage and despite the styling being very much of its time, the quality of the design means it holds up today as a fine example of preserved modernist architecture rather than just looking a bit sad and dated.

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There were two flats I viewed, one of which had a lot of potential and another which was a non-starter.

The good one was a generously-sized 2-bed on the top floor of Tennyson Court, one of the first blocks built on the estate overlooking Ham Common but sadly missing that beautiful central entrance stairwell configuration present in the rest of the blocks. The flat itself was nicely laid out with a large living room and adjoining dining area, separable by concertina doors. Most of the original features were present and correct with the notable exception of the kitchen and bathroom, which looked like they had been replaced in the 1970s. I found out, however, that having an original kitchen is actually a bit of a poisoned chalice: as you’re not allowed to replace them due to the Grade listing, this makes the flat more difficult to sell and consequently reduces the value as the 1950s styling isn’t to everybody’s taste.

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The bad one was a ground floor 2-bed (without the dining room) in Coleridge Court. Whilst I preferred the actual block to Tennyson Court, mainly due to the fact that it had that central stairwell configuration I favour, the flat itself was dreadful. It was in bad condition, had no original features to speak of and seemed to let in precisely no natural light. The main selling point, doors off the living room into a patch of garden, was low in impact.

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Despite the second flat, I haven’t been put off this estate – I just need to acquire a car and a job within commutable distance of Ham. I would also need to raise some additional funds: like everywhere else, prices for flats on this estate have shot up in the last year or so – I can remember a time when a decent two bed was about £300k. We’re talking about prices around the £400k mark now.

New homewares

Latest additions:

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  1. Placemats – Marimekko from Skandium
  2. Uten.silo – Vitra from Haus London (WARNING: attaching this to the wall poses an unexpected level of challenge)
  3. Cushions – Hay (yellow), Donna Wilson (fox face) and Marimekko from Skandium (red spots)
  4. Orange Varier chair – kindly donated by XT

Wish-list:

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  1. Grey cross blanket – Pia Wallen from Haus London (it’s a total rip-off and is a bit scratchy to the touch but I just love it)
  2. Mirror – Normann Copenhagen
  3. Componibili unit – Blue Sun Tree (I’d get the £50 “replica” over the £100+ genuine article from Kartel – they’re exactly the same)
  4. Marble-topped tulip table – Blue Sun Tree for the replica or Vitra from TwentyTwentyOne for the genuine article (I think it may soon be time to replace my rather chipped IKEA Docksta dining table with the table that “inspired” it)

Villa Savoye, Poissy

Villa Savoye, Poissy
Modernist Le Corbusier-designed villa situated on the outskirts of Paris
Architect: Le Corbusier
Year Built: 1931

This magnificent Le Corbusier-designed villa is incongruously situated in what is now a sleepy, somewhat down-at-heel suburb about an hour and a half north of Paris.

The villa is tucked away from the main road in the middle of a wooded plot of land. Looks-wise, it’s quintessential LeCorbusier with its white reinforced concrete exterior, extensive glazing and portico of flanking columns, which supports the upper levels of the building. The villa is effectively in the middle of a field so it can be viewed from all angles from the outside: each of its four aspects is a different (and interesting) arrangement of lines and shapes.

The interior layout needs to be experienced in person to be properly appreciated. The four columns in the entrance hall seemingly direct you up a continuous ramp. This wide ramp, which can be seen from almost everywhere in the house, continues up to the first floor living area and salon before continuing externally from the first floor roof terrace up to the second floor solarium. Wandering through the villa up the ramp is curiously reminiscent of navigating a very beautiful multi-storey carpark.

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Kingston Antiques Centre

As there are no flea markets near where I live (or anywhere in the UK that I know of), I have to make do with this place when I feel the need to pick up some old toot. Whilst shopping at the Kingston Antiques Centre is nowhere near as cheap an experience as a flea market, it is almost as varied and musty, comprising two packed floors of antiques (of mostly dubious provenance) from a range of eras with everything from Victorian knickknacks through to substantial pieces of mid century modern furniture on sale.

I’ve bought a couple of really nice things here (a probably fake Arne Jacobsen lamp, a colourful piece of 1950s Italian pottery, a vintage Steiger clock and a 1950s modernist statuette of a lady pulling a rather camp pose) over the years and there’s a sufficiently high turnover of stock to keep coming back semi-regularly.

The best thing I’ve seen here was a beautiful rosewood Hans Olsen dining table (with the chairs that slot in underneath) for about £500. There is a risk that putting such a retro-looking furniture set next to my Poul Cadovius shelving system would tip my living room into retro pastiche territory but if I ever see one again, I’ll probably take that risk.

The Firs

The Firs
Architect: Unknown (to me)
Year built: 1960s (refurbished 2013)

I bought a flat off plan in this (re)development about a year and a half ago. An unscrupulous developer had bought up a boxy, slightly decrepit 1960s block with plans to turf out the existing residents, refurbish the facade, landscape the overgrown forecourt and gut the interiors. Looking at the floor plans and the building pre-makeover, it was clear that the flats were well proportioned with some old-fashioned features not often seen in new builds (separate kitchens, covered balconies, floor-to-ceiling windows) and I also liked the idea of living in a period block with refurbished communal areas so I put in an offer.

Unfortunately, the developer proceeded to modernise the block in a number of hideous ways. Given that the original building wasn’t exactly worthy of a Grade listing, I wasn’t expecting a fully sympathetic 1960s restoration but I could have done without the 90s-style red-brick wall with iron railings in the front, pine-cladded bike sheds plonked in the middle of the forecourt, random use of vaguely gothic typefaces all over the place and silver Juliet balconies bolted onto the front of the building.

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Fortunately, the interior communal areas were refurbished quite nicely – I quite like the somewhat unusual red, grey and walnut colour scheme – and I also managed to intervene partway through the refurbishment of the interior of my flat before the developer started installing his stock fittings (though sadly not before he had ripped up the original parquet woodblock flooring).

For the floors, I was given a choice between carpet and karndean (a seemingly indestructible vinyl floor covering) so I opted for grey tile-effect karndean in the kitchen and bathroom and a neutral loop-style carpet everywhere else. For the kitchen, I went for a simple white gloss with butcher’s block-style work surfaces and white subway-style tiling with dark grouting (the kitchen cupboard handles are the short Blankett handles from Ikea). For all internal doors, I used a now-discontinued set of 1960s-looking handles from Ikea. I regret that I didn’t specify what I wanted in the bathroom – I’m finding the rectangular white tiling with the metallic silver trim a bit basic. I’d really like to retile it with square white tiles with dark grouting one day.

I spent about a year furnishing the flat gradually, going for a vaguely mid century modern look. I sourced furniture from eBay, knock-off design stores, more expensive design stores, my old flat and Ikea:

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Living room:

  • Sofa – Mistral sofa from Heal’s
  • coffee table – vintage from eBay
  • picture frames – Ribba and Stromby frames from Ikea
  • shelving unit – 1970s vintage Poul Cadovius
  • black lamp – knock off Arne Jacobsen from Kingston Antiques Centre
  • furry footstool – vintage
  • spherical lamp on floor – Fado lamp from Ikea
  • knitted green pouffe – Donna Wilson for SCP
  • dining table – Docksta from Ikea
  • white dining chairs x2 – Tallow from Habitat
  • Eames-style dining chairs – knock offs from Cult Furniture
  • white plastic chair – Dwell
  • three-headed lamp – Heal’s
  • ceiling lamp – vintage Poul Henningson from eBay
  • picture hangers (holding posters suspended from ceiling) – TwentyTwentyOne
  • black and white rug – Maduro in Copenhagen
  • trolley – vintage
  • pottery – vintage assortment from Berlin and Copenhagen and Kingston Antiques Centre
  • yellow rectangular cushion – Hay
  • square green cushion – Skandium
  • roller blinds – Enje (cut to size) from Ikea
  • alarm clock – design store in Hong Kong
  • grey chair – knock off Eames Organic chair from A Modern World

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Bedroom:

  • chest of drawers – vintage Stag
  • bed – Studio (small double) from Warren Evans
  • Grey and white Aztec cushions – H&M home
  • white lamp – knock off Arne Jacobsen from Cult Furniture
  • square clock – Habitat
  • green chair – vintage Eames shell with la Fonda base (restored) from eBay
  • round three-legged table – knock off Tablo table from A Modern World
  • Boby trolley – vintage Joe Columbo from eBay
  • orange lamp on table and alarm clock – flea market from Berlin
  • ceiling pendant light – knock off George Nelson bubble lamp from Interior Addict
  • shelving – Ribba picture ledges from Ikea
  • blinds – Kvartal system from Ikea

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Study:

  • free-standing wall mirror – Hovet from Ikea
  • low wall shelving – Ekby brackets from Ikea with pine shelves
  • orange chair – knock off Eames from Cult Furniture
  • wall shelving – String from Haus London
  • desk – 90s John Lewis
  • desk chair – 90s Ikea
  • Japanese lantern-style lamp – Habitat
  • white desk lamp – Vintage from Berlin flea market
  • orange topped stools – modified Frosta from Ikea
  • ceiling pendant light – George Nelson lantern lamp from SCP
  • blinds – Kvartal system from Ikea

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Hallway:

  • coat hook – knock off walnut Hang-It-All from Cult Furniture
  • white chair – restored Alvar Aalto chair 66 from eBay
  • rug – paper carpet from Hay

Bathroom:

  • radio – Bush FM radio from Argos

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Kitchen and balcony:

  • wall clock – vintage Staiger from Kingston Antiques Centre
  • roller blind – Enje from Ikea
  • fish tea towel – Zara Home
  • balcony table and chairs – Ikea
  • white plant stand – PS 2014 from Ikea

1970s Gleeson builds, Sutton

Gleeson is these days associated with (and held responsible for) a large number of unimaginative modern cul-de-sac developments across the UK. However, whilst flat hunting for my dad, I came across two interesting Gleeson-designed properties built in the seventies which suggest that things weren’t always this way.

Homefield Park, Sutton

Homefield Park
Sutton SM1
Architect: Gleeson
Year Built: 1970s

I still like this 1970s development in spite of its obvious shortcomings, including its almost complete lack of conventional aesthetic appeal. It is made up of two blocky, medium-rise 5 storey phases, one is yellow brick and the other red brick which gives the development a slightly Lego-ish appearance.

If you look close enough, there are some nice design features. Some of the flats have sturdy brick-walled balconies coming off the bedrooms and there are some well conceived (if very much of the time) recessed communal seating areas dotted about the development. I’m also quite fond of the covered areas, supported by pillars, around some of the entrances and the (very 1970s) ornamental rock features.

Unfortunately, from what I’ve seen, the interiors of the flats are decidedly less interesting than the exterior of the development. The ceiling heights throughout are extremely ungenerous and some of the flats have almost no views whatsoever, facing onto other bits of the development or in some unfortunate cases, into other peoples’ windows. Room sizes are reasonably generous but layouts are a mixed bag (there’s a particularly odd L-shaped configuration in a lot of the flats). The best flats must be those which face out into Grove Road with those aforementioned walled balconies (but I haven’t managed to get myself into one of those- they don’t tend to come up for sale very often).

It’s affordable to live in this Lego development though prices have risen: a standard two-bed is about £260k at the moment (compared to about £220k a year ago). There is a supposedly “deluxe” 5th-floor 2-bedroom flat on the market for £350k but this has been on the market for over a year, which suggests that this price is wildly optimistic.

Glyndale Grange, Sutton

Glyndale Grange
Sutton SM1
Architect: Gleeson
Year Built: 1970s

This row of bungalows, set back from the main road in a quiet cul-de-sac was reportedly built around the same time as Homefield Park. There are a number of identifiable similarities between the two, including the attractive radiators, 1970s styling and unfortunately, head-grazingly low ceilings.

The 2-bedroom bungalow that I viewed was in pretty much its original state with its original wooden kitchen, internal doors and wooden built-in wardrobes intact. It had a neat garden to the rear, its own garage and some loft space underneath its pitched roof but the overall impression it gave was that it was small (due in part to the low ceiling height). The vendor of this bungalow was leaving behind some attractive pieces of mid-century furniture, including some Poul Cadovius shelving,a chest of drawers and a lovely wall-mounted mirror and coat stand combo. The price was an affordable £350k – not bad for a freehold property with its own small patch of land.

London sample sales 2014

SCP Warehouse Sale

This became a hectic smash ‘n’ grab very quickly. The stock included familiar pieces from the SCP range: bits of String shelving, a beautiful upholstered Donna Wilson armchair, several Hay and Artek dining tables, Kay and Stemmer bookcases, what appeared to be a Vitra Utensilo, some Modernica/Eames shells – all of which were mysteriously “withdrawn” from sale – I blame the eagle-eyed staff – and George Nelson lampshades, including the largest Bubble saucer I think I’ve ever seen. Some of the discounts were decent (the armchair was about £500 down from around £3,000), whilst others were a bit less of a bargain (the random bits of String Shelving were only about 50% off).

Due to the limited space in the warehouse, the staff arranged the larger pieces of furniture outside and left the fragile items (mainly lighting and String shelving) inside. Given that the start of the queue was at the warehouse entrance, early birds were only at an advantage for grabbing the stuff in the warehouse. I would still recommend getting there early i.e. at least three hours before the official start time. Everything decent (both inside and outside the warehouse) had been bought up in around three minutes.

Purchases:

I waded through the scrum to grab a George Nelson bubble lantern pendant lamp (£65 down from £345), which was a good buy, and a single full length white String bracket (£50 down from £110), which in hindsight was a terrible buy due to the fact that I now have to buy about 5 other components in order to use it and I have no space left in my study. This was a prime example of hasty sample sale grabbing.

Donna Wilson sample sale

In short, the stock was excellent with a lot of stuff I’d seen sold at full price in various stores but the prices were still pretty high (cushions were still about £40, blankets about £100 and plates £10 each). The staff sensibly operated a staggered entry system which meant that things didn’t get too hectic inside.

A word of warning for next year: what might look perfectly normal alongside other Donna Wilson creations might look decidedly odd when you get it home and attempt to integrate it amongst your more conventional possessions (see below).

Purchases:

Two overpriced but seemingly one-of-a-kind cushions in the shape of a cloud and a tree, which made me question my sanity once I got them home, plus a great set of plates, which will probably never be used.

Copenhagen flea markets

I love a good flea market rummage. It’s probably a good thing that there aren’t really any in London or my home would be overflowing with old toot by now. Copenhagen has a few decent flea markets – there aren’t quite as many good ones as in Berlin and the Danes do not seem to respond well to shameless haggling but I did manage to pick up some nice stuff on my way round.

Frederiksberg flea market

Good for: mid-century homewares, lighting, rich peoples’ bric-a-brac

This was the best flea market I visited on this trip: enormous and packed with what seemed to be a mix of private and professional sellers, the range of old toot on offer was varied and generally of high quality. I picked up an enormous Knoll interior design tome, a rather creepy (but excellent in my opinion) statue of a baby’s head, a glass jar to hold my kitchen utensils and a low Aalto-style stool, which I got for about £2.50. Of note were seemingly discarded Poul Hennigson lamps, strewn all over the place as if worthless!

Vanløse flea market

Good for: mid century homewares, antiques

This is billed as a ‘real Danish fleamarket’ on the Visit Copenhagen website. First impressions are that it is a bit sparse and small (there are only about 25 stalls) but upon closer inspection, what is there is generally very good and well laid out. I picked up some unusually shaped salt and pepper shakers and some mid century-looking plant pots. I would have picked up some of the gorgeous Liberty-esque cushions had they not been down-filled. Prices obviously depend on the stall owner but there are bargains to be had.

Norrebro flea market

Good for: nothing

Perhaps I came too late in the day but this was literally crap piled up along the side of a very busy, dusty road. Avoid.

Lyngby flea market

Good for: stumbling upon something decent amongst a load of old toot

The Visit Copehagen website calls this ‘one of the nicest flea markets in Copenhagen’, which having visited the place, seems a bit generous. Again, perhaps all of the best stuff had been sold by the time I’d arrived but the items on sale in this cobbled carpark were mostly rubbish. It reminded me of a car boot sale only without the cars- no professional sellers, just members of the public having a clear out. I did manage to pick up a rather beautiful silver Georg Jensen piece from an old woman for a bargain which made the trip almost worthwhile.

Charlottenlund flea market

Good for: Bargains, rubbish clothes

Another place that reminded me of a car boot sale without the cars. Too many stalls of rubbish clothes and toys but there’s some decent homewares to be found at good prices. I managed to pick up some decent pottery ‘n’ plastic.

Total haul:

Copenhagen design stores

As you might expect, Copenhagen has a good range of design stores selling the well-designed wares that the city has become known for. Shopping for overpriced design items is generally a pleasant experience in Copenhagen with most of the best stores clustered around the Strøget area. I managed to pick up a nice range of plane-friendly rugs, posters and homewares from the stores below:

Dora

Good for: genuinely quirky design objects
Price: expensive

Every (expensive) item in this store has been displayed to appear as if it has been thrown together haphazardly. The stock is a mix of carefully selected design classics (Aalto stools etc.) and some genuinely quirky stuff, presumably sourced from independent designers. I liked the range of patterned slates though I was unsure of their function (very expensive, heavy placemats?) and homespun-looking textiles. The only item I could justify purchasing from a price perspective were some rather delightful balloon animals. It has just occurred to me that these cost about £10(!) each.

Stilleben

Good for: high quality homewares with a dusty pastel colour palate
Price: expensive

Everything in this store is undeniably beautiful and is beautifully presented (especially the prints upstairs – very inspiring) but the overall effect was a bit too feminine for my tastes. Perhaps it is the colour palate: it’s all dusty pinks, mint greens, copper and soft greys (admittedly with a bit of black, which does contribute some edge) but with not a primary colour in sight. I left empty handed.

Hay flagship and Hay House

Good for: everything provided you like the Hay look
Price: moderate to expensive

Although Hay is now stocked internationally (there’s a concession in most high end design stores in London and Selfridges), the sight of the complete range of beautiful stock all in one place is a sight to behold. There are items at every price point ranging from stationery and small design objects for the equivalent of less than £10 to big bits of furniture in Hay’s trademark unusual shapes and colours. There are two stores: the original flagship and ‘Hay House’ which occupies the top two floors of a building that overlooks the square. Although Hay House is the larger of the two and has a pleasingly gimmicky ‘mini mart’ section, I found the smaller flagship much more inspiring. I bought a printed canvas shopper bag and a articulated wooden foot.

Maduro

Good for: rugs, prints, assorted homewares
Price: moderate

This store sells a colourful assortment of homewares that appear to be exclusive to this store. About half of the stock seems to be child oriented (including lovely vintage animal prints and design objects by Ingela P Arrhenius) that might look odd in a home without children. I came away with a reasonably priced monochrome rug and a line drawing print of a defiant-looking, very underweight young woman.

Just Spotted

Good for: modern graphic prints
Price: moderate

Small, nicely laid out poster store selling a small range of modern graphic prints and accompanying frames. I particularly liked the landscape/animal hybrids (I opted for the wolf). Perhaps a few too many cartoon prints. Service is genial and helpful.

Illums Bolighus

Good for: those who do not have to consider a budget
Price: offensive

Illums brings together every high-end Danish design object and displays it in a sprawling department store setting. Perhaps I was just bitter that I couldn’t afford anything but I did not find this to be a pleasurable shopping experience: it’s too hot and the sheer number of items and displays serves to cheapen everything somehow. Somewhere like Liberty or Selfridges does this sort of thing better by dividing the stock into zones.

Other:

Superlove

A small store selling a few design items alongside some rather tacky women’s clothing. The stock is colourful but expensive for what it is.

Plint

A centrally located homewares store suffering from an identity crisis. First impressions are that it is a budget retailer that wants to recreate the Stilleben experience/colour palate. Closer inspection reveals some quite high prices and some tacky product selection. It would be more appealing if it were much cheaper.